Production Stills
46 days of shooting
between October 2012 and March 2014
plus many unnumbered days of audio recording
photo by Dan Grady
photo by Marcel Cantin
crew (left to right):
Key grip / driver: Dan Grady, Camera Assistant: Mel Chiasson,
Director / Photography: Amanda Dawn Christie, Cinematography Consultant: Christopher Ball
farmer's access road behind the towers
dirt roads with deep tracks from tractors
filming sunrise
from Bridge street overpass
photo by Cédric Chabuel
photo by Cédric Chabuel
filming the towers and highway at night
from the Aulac overpass
iPhone selfie in the van
Filming in a blizzard / ice storm
from the shoulder of the Trans Canada Highway
filming out the window of the van
using van for extreme weather protection
filming location / headquarters in a blizzard
driving on site in a blizzard
highways were closed
Dale plowed the site so I could get in to film
filming from the van in extreme cold
high winds and ice on the wires
iPhone selfie
Filming ice on the wires.
That hard hat probably wouldn't have helped
if an ice chunk actually hit me from 400 feet....
Rob Arseneault's car with the camera mounted on by Dan Grady.
photo by Rob Arsneault
filming from the roof of the control facility
photo by Rob Arseneault
Cinematography Consultant, Christopher Ball
and Amanda Dawn Christie.
photo by Rob Arseneault
Cinematography consultant, Christopher Ball,
and Amanda Dawn Christie
at the edge of the river next to the broken bridge
self portrait taken by DSLR on a timer
waiting for the tower lights to come on at dusk behind the cows
as fog and rain rolls in
fog, drizzle, and dusk from the cow pasture behind the radio towers
photo by Bob Rosebrough
preparing to go up to shoot from the Cesna
photo by Bob Rosebrough
getting ready for take off
aerials from the Cesna
control panel in the Cesna
pilot = Bob Rosebrough
view from the window of the Cesna
I was filming through the opening at the bottom
Pilot Bob Rosebrough
we had some company on our aerial shoot
Pilot: Bob Rosebrough
camping for overnight to do some audio recording
behind the radio towers
also shot some 16mm film
Overnight timelapse
my Arri BL4 didn't have the option for 30 sec. exposures
so I put the camera in a change tent
lens out one sleeve, my hand in the other sleeve
and manually advanced the inching knob
every 30 seconds, all night long.
Overnight timelapse
my Arri BL4 didn't have the option for 30 sec. exposures
so I put the camera in a change tent
lens out one sleeve, my hand in the other sleeve
and manually advanced the inching knob
every 30 seconds, all night long.
overnight timelapse set up
just before sunset... getting ready to hunker down for a long night of turning the inching knob manually every 30 seconds.
(iPhone selfie between exposures)
overnight timelapses
My Arri BL4 didn't have the option
for 30 second exposures,
so I put the camera in the change tent,
with the lens out one sleeve,
and my arm in the other.
My fingers were inside the camera body,
and I manually turned the inching knob
every 30 seconds from dusk until dawn.
overnight time lapse set up
dawn, just before packing up
another overnight timelapse
this time from the other side
van on the shoulder of the Trans Canada Highway
Camera set up on the bank of the river
the morning after an overnight timelapse
filming the sunrise next to the towers
the morning after an overnight timelapse
just before packing up
van was parked on the shoulder of the Trans Canada Highway
Camera was set up on the bank of the river
capturing the sounds of bugs and birds that only came out at night
home made contact microphones
on the wires
home made contact microphones
on the wires
iPhone selfie
at the base of Tower C
home made contact microphones
on the wires
looking up from the base of Tower C
home made contact microphone
on the ladder
switched from tape to clamps
for my home made contact microphones.
home made contact microphone
clamped to a vertical stay
recording the sound of windmills and a passing train
dusk and night sounds
wind on the water
wind in the bushes next to the broken bridge
footsteps and passing trains
passing train from next to the train bridge
recording the night train
next to the train station
camped out in Sarah and Al's van
so I could get a few short naps in between
night recordings by the train tracks
and later next to the towers.
Morning sounds of insects and cows
Cow licks the microphone
ready for her close-up
flies on a hot day
flies on a microphone
recording the train
from directly beneath the train bridge
Interview set up at CHMA
Interview set up next to the Black Duck
(in the space that is now Coy-Wolf)
photo by Ryan Hillier
home made contact microphones on tower bases
photo by Ryan Hillier
home made contact microphones on tower bases
photo by Hilary Cantin
prepping to climb tower M
wearing two GoPros
a lav mic and a contact mic
photo by Hilary Cantin
prepping to climb tower M
wearing two GoPros
a lav mic and a contact mic
photo by Hilary Cantin
prepping to climb tower M
wearing two GoPros
a lav mic and a contact mic
photo by Hilary Cantin
prepping to climb tower M
wearing two GoPros
a lav mic and a contact mic
photo by Hilary Cantin
prepping to climb tower M
wearing two GoPros
a lav mic and a contact mic
photo by Hilary Cantin
Climbing tower M
wearing two GoPros
a lav mic and a contact mic
photo by Hilary Cantin
Climbing tower M
wearing two GoPros
a lav mic and a contact mic
the demolition begins
filming the demolition of the site
filming the demolition
During demolition, access to the site becomes more restricted.
Steel plated boots are required in case of stepping on sharp debris
Steel plates get cold in the winter
filming at sunrise as they lower the curtains
sunrise demolition
After every shoot I would ship boxes of film
to Montreal to be processed...
first at Technicolor,
then after they closed their lab,
I would ship to Vision Globale for processing.
two time lapse cameras on the roof
these cameras filmed the dismantling of the curtains in 2K.
two timelapse cameras on the roof
capturing the dismantling of the curtains.
I knew the imagery wouldn't match
my 35mm footage,
but I wanted to shoot it anyway...
for future projects.
walking through the demolition site between shots.
On the roof:
I filmed the towers as they fell
Rob Tough record the sound of them crashing down.
On the roof:
I filmed the towers as they fell
Rob Tough record the sound of them crashing down.
On the roof:
I filmed the towers as they fell
Rob Tough record the sound of them crashing down.
Images from a walk through the demolition site between shots
Home base was set up in the space next to the Black Duck (what is now Coy-Wolf)
There I had a change tent to load and unload my magazines at the end of every day,
Filming the towers falling
and recording the sounds of them falling.
waiting for towers to fall
Rob Tough standing between two fallen towers.
Images from a walk through the demolition site between shots
Images from a walk through the demolition site between shots
Images from a walk through the demolition site between shots
Filming tower M fall from a distance.
Shot from inside the van
on the shoulder of the Trans Canada Highway
For all except the first tower,
I simultaneously shot digital DSLR footage
of towers falling,
just in case something happened to my 35mm footage.
images from a walk through the demolition site between shots
I was running both
the camera and the sound
by myself as the last 7 towers fell.
I was running both
the camera and the sound
by myself as the last 7 towers fell.
I was running both
the camera and the sound
by myself as the last 7 towers fell.
I was running both
the camera and the sound
by myself as the last 7 towers fell.
I was running both
the camera and the sound
by myself as the last 7 towers fell.
It all depended on the wind.
I was running both
the camera and the sound
by myself as the last 7 towers fell.
filming sunset from the roof.
Many trips up and down
to get my gear onto the roof.
Panning across what looked like
a bone yard of fallen towers and poles
at the end.
filming sunset from the roof.
Many trips up and down to get my gear onto the roof.
Panning across what looked like a bone yard of fallen towers and poles at the end.
change tent and film cans.
unloading the mags at the end of the day
photo by Leslie Kern
unloading film mags at the end of the shoot.
prepping to send the film to the lab
location: store front next to the Black Duck that later became Coy-Wolf
Film cans ready to go to the lab.
It is finished.
returning a van full of equipment to AFCOOP.
All of my shoots involved driving a rental van 3 hours down to halifax, loading up with gear... shooting, and then driving 3 hours back to return it all when I was done.
Shipping the last of the film cans to Montreal after the final shoot
Climbing Tower M
photos taken from Go Pro
While climbing tower M on February 4, 2014.
all photos copyright Amanda Dawn Christie.
RCI Antenna Geometry
photographs taken between 2009 and 2014
all photos copyright Amanda Dawn Christie
RCI Tower Portraits
photographs taken between 2009 and 2014
all photographs copyright Amanda Dawn Christie.
RCI Demolition
all photographs copyright Amanda Dawn Christie 2014.